A dedication to music's sweaty past and a tribute to its bold future. Music... The holy grail, the last leap from the ledge, the beating heart of the collective consciousness, a call to arms-a call to ears-music lovers of the world unite. Break the chains of wax in your blocked canals and let your heart rediscover the tribal bliss that is part of your human heritage - the kind of bliss achieved by rhythm, vibrations and beats.

The Black Crowes Continue to Bring the Soul to Rock //

Twenty fours years into a stellar musical career that has included collaborations with Led Zeppelin’s Jimmy Page, the Grateful Dead’s Phil Lesh, and countless others, The Black Crowes continue to wow audiences with their distinctive blend of high energy soul rock n’ roll.

Although the band has continued to put itself in an “on again and off again” status, having announced two separate hiatuses over the last decade, they always come back for more. If there is any existing tension remaining between brothers Chris Robinson (vocals), and Rich Robinson (guitar), it was not at all evident at this show. The group appeared tight, loose and in great form throughout the two hour and 15 minute set.

Touring for the first time since 2011, the Crowes current lineup consists of three original members- both Robinson brothers, Steve Gorman (drums), longtime bassist Sven Pipien and newcomers Adam MacDougal (keyboards) and Jackie Green (guitar). Greene takes over for Luther Dickinson of the North Mississippi All Stars who was unable to join the band on this tour.

After nine studio albums, the Crowes have a wealth of material to pull out at each show. The band opened with the rousing “Twice As Hard” and “Sting Me.” Once the juices were flowing, the interplay among the band was at full throttle. The classic “Wiser Time” stood out as the band took this one on a dynamic instrumental jam which saw each band member take a lead solo.

As a drummer, I always pay a little extra attention to the rhythm section. Gorman is known for his powerful pocketed grooves and back beat, which bring out his inner John Bonham and swing influences. He expertly lead the band in and out of each section with ease; turning up the intensity when needed, and providing the subtle feel when necessary.

After a two song acoustic set that began with “She Talks to Angels,” it was Chris Robinson’s turn to showcase his renowned vocal chops and roots harmonica playing with the Arabian influenced, “Whoah Mule.” Robinson retains the presence that front men of lore used to have, standing alone at the mic and the leader who is hell bent on having a good time.

The band finished off with rousing finale’s of “Thorn in my Pride, a very extended “Soul Singing,” and “Remedy. The dueling guitars of Robinson and Greene during the long solo sections made for prime listening.

Smiles were abound as the band came back out for an encore with “Hard to Handle.” Originally an Otis Redding song, the Crowes covered this on their 1990 album “Shake Your Money Maker,” which catapulted them onto the national scene. The band included Deep Purple’s “Hush” in the middle of the jam section and swiftly returned back into the song for one more chorus.

With a a great collections of songs and jams, there was never a dull moment throughout the night. If the Black Crowes are coming to your city on their current tour, it is definitely recommended to check them out.

The Black Crowes
May 1st, 2013
House of Blues
Orlando, FL

Set list

Twice as Hard
Sting Me
Good Morning Captain
Hotel Illness
Medicated Goo
Ballad in Urgency
Wiser Time
She Talks to Angels
Whoa Mule
By Your Side
Thorn in My Pride
Soul Singing
Jealous Again
Sometimes Salvation
Remedy

Encore

Hard to Handle/Hush

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Written by Joe Lederman of The Dropa Stone for Music Binds Us All.

 

8th Annual Spring Jambando In Orlando //

Celebrating its 10th year of existence, Jambando has announced plans for its next Spring Festival Jam on Saturday April 27th. It will be the 8th Annual Spring Jambando and will be held at one of Orlando’s premier live music venues, the Plaza LIVE.

Organized by founder Dave Mann and in close cooperation with the participating bands and ever-growing Jambando community, the festival’s have evolved into Central Florida’s strongest purveyor of live music, arts and culture. Each festival showcases some of the best and most versatile local and regional artists; from jam, funk, reggae and rock bands. Fans have flocked to experience its authentic community atmosphere which feature multiple stages of music combined with local art and food vendors.

This year lineup includes funkUs, The Hindu Cowboys, Savi Fernandez Band, The Dropa Stone, Sonar, Brian Chodorcoff, Ancient Sun, Legacy, Vova Zen and many more. An epic three hour super jam will be taking place so expect many surprise guests.

Jambando at the Plaza Live: Saturday April 27th, 2013: Featuring 18+ Bands on 4 stages of continuous music and lights with visual F/X imagery. Food Trucks, Arts and Crafts vendors & much more! $10 at the gate; All Ages; Re-entry Okay.

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Written by Joe Lederman of The Dropa Stone for Music Binds Us All.

Review and First Listen: Jimi Hendrix ‘People, Hell and Angels’ //

Recorded between 1968 and 1969 with primarily Billy Cox and Buddy Miles, who would make up Hendrix’s post-Experience trio Band of Gypsys, the cuts on ‘People, Hell & Angels,’ like many of the albums that have been released since his death in 1970, are more skeletal frames of songs than complete songs. That said, there’s plenty of fancy guitar work and creative ideas planted here, but few tracks boast the mind-bending studio tricks Hendrix experimented so wildly with on ‘Axis: Bold As Love’ and ‘Electric Ladyland.’

Any Hendrix fan will dig some of the album’s offerings. The stripped-down ‘Earth Blues’ reflects its title. ‘Let Me Love’ features a saxophonist. A cover of Elmore James’ ‘Bleeding Heart’ comes from Hendrix’s first session with Cox and Miles. And ‘Izabella’ was recorded with the band Hendrix played with at Woodstock.

But ‘People, Hell & Angels’ isn’t revealing like ‘First Rays of the New Rising Sun,’ ‘South Saturn Delta’ and ‘Valleys of Neptune,’ the best posthumous Hendrix albums. Hendrix is basically being Hendrix on the 12 tracks, effortlessly tearing through guitar solos and working up bluesy shuffles that most likely would have been discarded or altered by the time he was finished with them. This is mostly the guitar legend finding his post-Experience footing.

Thanks to NPR, have yourself a first listen of ‘People, Hell and Angels’  Have A Listen

From NPR Music: 50 Great Jazz Vocals //

50 Great Jazz Vocals is a crowdsourced list of the 50 most popular jazz vocal recordings of all time, as determined by the listeners of NPR Music, Jazz24.org and KPLU in Seattle. We asked jazz lovers all over the world to vote for their favorites. When the results were in, the thousands of votes were tabulated, and this list is the result. You can take a look at the list below or, better yet, dive into the webstream, kick back and listen to all 50 Great Jazz Vocals. According to our listeners, it doesn’t get any better than this.  Click on the image below to read entire article and listen in.

GALACTIC Turns New Orleans Funk Inside Out at Orlando’s Plaza Theater //

Galactic with Corey GloverKnown for their eclectically infused funk and jazz sound, Galactic has been a touring and musical force for 18 years. The quintet has built a strong catalog featuring ten studio and live albums to date; but are also driven by a dedicated work ethic built on the strength of their high caliber musicianship and evolving live shows.

On January 16th, 2013, Galactic performed at the Plaza Theater in Orlando, FL. This venue has become one of Orlando’s premier spots for live music and its newly redesigned main theater stage is a perfect setting for concerts. It is easy to see why they continue to bring in top notch national touring bands with a great atmosphere and amazing sound. The night was started by ”Art Official,” a Miami based trip-hop band and Orlando natives, “funkUs,” who delivered a spirited performance that saw local guest musicians joining them onstage, showing a strong community bond.

This was to be my 4th time seeing the band perform and each experience has been uniquely different. From the more jam and funk laden festival shows, to guest rappers and classic rock covers, each Galactic concert has proved to showcase the bands willingness to move in different directions musically. Although their epic and lengthy instrumentals receive the biggest ovations by long time fans, the band has been able to include elements of world music, electronic, hip hop and blues in their arsenal.

Galactic FunkMade up of long standing members, drummer Stanton Moore, guitarist Jeff Raines, Hammond organist Rich Vogel, bassist Robert Mercurio and saxophonist Ben Ellman, Galactic was joined by guest vocalist Corey Glover, from the popular late 80′s and 90′s Rock band, “Living Colour.” Glover has been the group’s go to vocalist for the past year, performing on much of the 2012 tour into the New Year.

Touring in support of their latest 2012 studio release, ‘Carnivale Electricos,’ the show opened with a vintage and groove oriented Stanton Moore drum solo. Moore was ahead of steam and swiftly transitioned the band into the opening song. His righteous pocket filled grooves are always the backbone of the music; carrying the band in and out of each passage with ease. Ellman’s saxophone and Vogel’s organ jams provide most of the lead solos for the band, while Mercurio and Raine’s bass and guitar riffs provide whatever textures and undertones may be needed.

The first three songs of the set were classic Galactic instrumentals. The band then quickly introduced Corey Glover onto the stage. Known for his high octane vocals, Glover melded perfectly with the band, showing versatility and deep range in his voice. His stage presence and energy was a hit with the crowd, especially during covers of The Beatles “I am the Walrus,” Living Colour’s own hit, “Cult of Personality” and the encore of the set, the Rolling Stone’s “Sympathy for the Devil.”

Once again Galactic delivered a high energy, dance till you drop live show punctuated by high energy, virtuoso playing and guest vocalist Corey Glover delivering a passionate performance. If you have not been able to catch this band live, they are a must-see for not only fans of funk and jam bands, but for all music lovers.  Music Binds Us All.

For a complete listing of Galactic’s tour schedule, check out: www.GalacticFunk.com.

Written by Joe Lederman of The Dropa Stone
*Please note, this article will be updated with a full set list as soon as it becomes available.*

Music Is Medicine, Music Is Sanity //

Robert Gupta, violinist with the LA Philharmonic, talks about a violin lesson he once gave to a brilliant, schizophrenic musician — and what he learned. Called back onstage later, Gupta plays his own transcription of the prelude from Bach’s Cello Suite No. 1.  Another extraordinary example is how Music Binds Us All.

Landfill Harmonic – A Film About Inspiring Dreams One Note at a Time //


Landfill Harmonic is a beautifully made feature-length documentary about a extraordinary orchestra from a remote village in Paraguay, where its young musicians play with instruments made from trash found in a landfill.  A beautiful reminder of just one of the many amazing ways that Music Binds Us all.

For more information about the film, please visit facebook.com/landfillharmonicmovie.

Come Together //

In other countries/cultures people see each other not as separate and alone but rather together as one, on the path of life, with each person existing as an integral part of the whole. I’ve always naturally felt that this should be a very natural goal for all of humanity, as history and science have proven time and time again that human beings thrive in a state of mutual dependency – with the company and support of other human beings.

But in the modern day US, putting this notion into practice seems quite impossible. You don’t have to look far to observe the individualist mindset, the insecurity, FEAR, and resistance to change that so blankets large pockets and sects of this country.  Start by turning off your television and turning up the music.

Music is Universal Language – Music Binds Us All

Paul Led

Concert Review: Moksha Art Fair Closing Celebration 12/8/2012 //

Written by: Jody Eichler
Photography by: Gary Gordon

There’s something mysteriously magical that shifts when you stimulate all your senses simultaneously in a transcendental, multi-sensory extravaganza. Especially when it is amongst local and internationally artists united in a collective consciousness that cross far beyond the barriers of cultural diversity that surround the physical space.

Deceptively ordinary from the outside, the Moksha Family Arts Collective is the last place you’d think to find a refuge for spiritual awakenings through art and music. But for the fourth year in a row the “Moksha Fam” has brought together renowned painters, musicians, artists, DJs, photographers, engineers and filmmakers for their 3-day “Moksha Visionary Art Fair”, attracting art-hungry audiences far off the glitzy Art Basel beaten path to 7th Circuit Studios in Little Haiti. “We have always wanted to showcase a different type of art, one that focuses on art as an expression of one’s spirituality,” said Ray Oraca, founder of Moksha.

Moksha’s “Closing Celebration” held on December 8, 2012 has grown in popularity year after year as the hot “underground” ticket of Basel. This highly unique indoor/outdoor event showcased a diverse 25-act musical lineup headlined by Asheville, North Carolina’s Toubab Krewe alongside Roosevelt Collier of The Lee Boys. Audiences were elated with the ripping fusions of Toubab Krewe enmeshed with the flair of the sacred steel front man Roosevelt C. topped off with the sensational beats of Terrence Houston, drummer for George Porter Jr. and his Runnin’ Pardners. They totally crushed it!

“One of my favorite aspects of the Moksha Art Fair (and musical extravaganza) is the effort to bring together artists from the North and South, East and West. I know that during the fair I will meet interesting creative artists of many disciplines from a variety of cultural and linguistic backgrounds. It is a great pleasure and sit down and share the gifts with them. I am a particular fan of Live music and appreciate the fact that musically speaking, there is something for everyone to dance to.” said visionary artist Mark Henson

I don’t know if it was the 10 foot plus “Magic Mushroom”, sensational visuals, seductive costumes, fire jugglers, amazing aerialist, groovy laid back festival vibe or just the feeling of being part of a tribe for a higher consciousness community, but I do know this is one annual event that is not to be missed.

Concert Review: Perpetual Groove at Fort Lauderdale Culture Room 11/30/2012 //

Written by Jody Eichler
Photography by Gary Gordon

At 11:11pm on Friday night, Perpetual Groove hit the stage at the Culture Room in Ft Lauderdale for one of their Florida stops on the “Fend For Your Life” tour. Perpetual Groove (or PGroove as their fans affectionately coin them) threw down a spellbinding live show to a highly evangelized and dedicated fan base. PGroove’s music has evolved into a genre-extending, extremely unique sound with hints of jazz, R&B, electronica, progressive rock, psychedelia and classic rock. Their large catalog of original music and diverse range of covers, appeals to a wide number of tastes.

But half the experience is derived from the vibrational frequency between like-minded devotees that consumes any un-activated synergy in the room and unites once disparate entities in harmony and lyrics. Their avid fans are known to follow the band from state to state, show to show, to experience the transcendent sound, mystical vibration and intense light shows. Destiny Spang of Brotherly Love Productions, music aficionado and devoted PGroove supporter explains the fan connection. “For me, one of the things that sets PGroove apart from other bands in the scene is their connection to their fans. They give 100% to their fans, both on and off stage, and that’s incredibly special. When you look around the room during certain songs like “Sweet Oblivious Antidode,” or “It Starts Where it Ends” you can see the die hards who know the lyrics, some with their hands on their hearts sharing a special moment with their friends. It’s a feeling that stays with you long after the show is over” said Spang. You could sense the heightened anticipation and excitement of the fans when Lingo rocked as a very impressive opening act, which included jamming “Hello River” with their friend Brock Butler of PGroove.

It was nice to have a little elbow and breathing room to take in Lingo fully with their on-point collaborations; ripping

guitar solos, stirring vocals, and wistful lyrics. But it didn’t last long. Before the Lingo set was over, The “Culture Room” had quickly began to resemble the “Culture Closet”, as patrons have named it on occasion for their infamous “over-crowded” shows. PGroove kicked off the night with “Up the Beach” overtaking the audience with a captivating light show and vibrational groove that literally altered the audience from something disconnected to a wave of amassed heads bobbing in unison in a free-flowing, family oriented, energetic exchange. There were peaks and valleys, dips and blips, but the fans were fully engaged right up through the second encore. For me, it was really PGroovy.